The Fuji X-E1 is a retro-inspired camera that borrows its good looks from rangefinder designs such as those from Leica. And not only does the X-E1 look good, it also has the imaging power to deliver some stunningly good images, a vast assortment of manual controls that inspires photographers to switch away from automatic shooting, and great handling handling. In fact, despite its small size and APS-C camera sensor, Fuji says that the custom X-Trans CMOS sensor in the camera is good enough to compete against larger full-frame sensors in professional DSLR bodies. Does the Fuji X-E1 live up to its hype to inspire photographers to master the art of photography?
Design
The Fuji X-E1 is Fuji’s second interchangeable lens camera following the more expensive X-Pro 1. The camera has a magnesium alloy top and base plate that forms the rangefinder-style aesthetics. The rest of the body, unfortunately, is wielded from plastic construction, so you do get a solidly built camera that’s at the same time a bit light and hollow-feeling. This isn’t a bad thing as many people who move from a DSLR to a mirrorless system like the X-E1 do so to reduce the weight of their gear. And to show the solid construction, Fuji proudly displays its ‘Made in Japan’ heritage on the rear of the body.
As an enthusiast level camera, offers a lot of manual controls that really inspires the photographer to think before clicking. With an electronic aperture ring on the lens, a shutter speed dial and exposure compensation dial that’s a bit recessed into the top plate to avoid accidental adjustments, the X-E1 will definitely help users move away from shooting in automatic or iAuto mode.

Plenty of manual controls
You also get a pop-up flash on the top, which is a tilting variety so you can bounce the light off ceilings to get softer lighting, as well as a hot shoe.

You can tilt the flash to angle the light to get softer lighting.
To keep costs down–the X-E1 retails for $999 body-only or $1399 with a kit zoom lens–Fuji omitted the hybrid optical and electronic viewfinder design and instead chose to go with a higher resolution electronic-only viewfinder. In use, I didn’t miss the optical viewfinder much from the X-Pro 1, and the electronic viewfinder is sharp and bright, with a diopter adjustment wheel on the side.
The EVF offers a nice compromise on the X-E1 by allowing for a live view of the scene and accurate framing for image composition. However, the downside is that in low light environments, the EVF–and to a smaller degree the rear LCD–would lag for quick-moving subjects.

Gone is the hybrid optical viewfinder and electronic viewfinder on the more expensive X-Pro 1. On the X-E1, you have an electronic-only viewfinder that is higher resolution than the electronic mode on the X-Pro 1. A sensor automatically switches between the viewfinder and the rear LCD when you bring the camera up to your eyes, or you can toggle between the two with a button on the back of the camera manually. The EVF also gives users a more accurate frame when compared to the OVF system.
On the back, you get flat buttons that offer a nice, responsive click when you press them. The buttons actually feel more tactile than the shutter button at the top, which I thought felt a little bit mushy and you do have to press in with some force to autofocus before pushing in really hard to capture the image.

Simple, flat buttons are intuitively placed. You do have a nice thumb-rest on the right side as well as quick access to the Q Menu. You do get a live view through the rear LCD, which measures a smallish 2.8 inches.
The rear display is a non-touch variety that’s relatively low resolution, by today’s camera standards given the X-E1′s premium pricing, and the screen is covered by a plastic panel rather than glass; this will require extra care as plastic is easier to scratch than glass. The screen is a non-articulating kind so you can’t tilt it up or down for high or low shots. On the Olympus E-PL5 and select Sony NEX series camera, the articulating screen is helpful for when I am shooting low to the ground. I can hold the camera lower and angle the screen up so I don’t have to crawl on the floor to get a low angle shot. Similarly, for higher shots when I am holding the camera over my head, I can angle the screen down so I can see what I am shooting. Not so with the X-E1.

Rear scroll wheel and directional buttons for navigating menus.
There’s also a scroll wheel on the back, which is used to select and scroll through menu items. To move between the menu items, users will need to use the directional pad. I found the menu and UI to be quite intuitive, and Fuji bundled the most useful features into its quick menu, which is accessible by pressing the Q button on the rear right.
On the front, there is a shallow grip and the camera is wrapped in a rubbery vinyl material that aids in ergonomics. It looks like leather, but it’s not. An LED auto-focus assist lamp is situated relatively close to the grip, so sometimes your fingers will cover the lamp if you’re not careful in how you grip the camera.

Hand grip on the front of the camera aids in handling. The grip is somewhat shallow. Users can opt to get a grip accessory or a half-case to improve ergonomics.
There’s also a switch to move between single-point autofocus, continuous autofocus, and manual focus mode. Autofocus is good for a mirrorless camera, and though there are plenty of reports on the Internet that ding the Fuji for slow autofocus speeds, I didn’t experience much of that in good or low lighting in my test of the camera.

Switch to toggle between auto-focus and manual focus modes.
Plastic doors hide the battery and memory card compartment as well as a second compartment for ports. The build of the plastic door feels less sturdy than the plastic that Olympus uses on its compact E-PL5 mirrorless system.

Plastic door for the battery and SD card. Plastic material does feel flimsy compared to the magnesium alloy top and bottom plates.
For ports, you do have access to a standard mini USB port (no proprietary port, unlike on Olympus, which is a plus), an HDMI port, and a 2.5mm microphone input port for video recording.

Standard ports are hidden behind a door.
The camera can also handle video recording up to 24 frames per second for 1080p footage. As a stills-first camera, there isn’t a video button to quickly record video on the camera; instead users will have to dive into the software menu to activate video recording.
Kit Lens
The kit lens offers an 18 – 55 mm zoom (27 – 82.5 mm in 35 mm equivalent range) with an aperture range of F2.8 at the wide end that goes up to F4.0. The zoom is surprisingly good, giving clean images and does offer users nice subject isolation leading to background blur, or bokeh.

Kit zoom lens offers surprisingly good performance with sharp images, bokeh, and wide aperture ranges.
The lens also offers optical image stabilization as stabilization isn’t built into the body like on Olympus’ mirrorless range. At this time, Fuji is including OIS into its zoom lenses, but stablization isn’t included in the non-zoom, or prime lenses. This is fine as Fuji’s primes are fast with great aperture controls.

Toggles for manual aperture and OIS located on lens barrel
The manual focus ring on the zoom lens is done electronically, which means users won’t get the distance marking on the lens itself. You can get accurate distance reading on either electronic displays.

Ridged rings offer manual adjustments. From left to right: focus ring, zoom ring, and aperture control ring.